However, there may be circumstances where we want to render out low-resolution files to render on our laptop and need to export each clip individually. Our timeline comprises numerous clips, and the idea of exporting is to combine all of this into one large video file. Next, we have an individual clip or single clips. This is where you’ll name your file and where your file will be rendered. Here’s where you’ll name and render your file.įirst, we have our Filename and Destination Location. Whether it’s a YouTube upload or Audio-only, the presets are perfect for quick exports. If you’re brand new to editing and still feel unsure about adjusting the parameters, Resolve will help you streamline that process with a set of one-click presets. Let’s head to our first pit stop-the render panel. However, we can’t make any adjustments whatsoever. Underneath is our timeline, which mirrors the timeline found on the edit page. On the right, we have our render queue where the selected clips put out to render will be placed and where we’ll finally hit render. So, please take note that it operates slightly differently.) (However, it’s important to note that, unlike the editing page where the scrubbing tool scrubs through the entire timeline quickly, it only scrubs through the clip. In the center, we have our preview monitor where we can watch the edit one final time before hitting render. In this panel, we’ll set all the parameters for how we want our video to be rendered. To the left, we have our render settings. Resolve’s edit page is entirely devoted to rendering your content Unlike other software that may have a pop-up box, Resolve has an entire page devoted to rendering your content. With our edit completed, sound effects added, and grade implemented, it’s time to go to the Delivery page. However, some sections may specifically call back to a moment within the video. This not only provides extended recorded times for long form productions or recording events, but gives you the added security of always having a back-up to your camera recording.Don’t have time for a video? Not to worry, you can read the transcript below. SSD media also provides more GB per $ than camera media cards. A core principle of Atomos devices is to provide much more flexibility in terms of recording codec, resolution, and frame rate than is normally available with internal recording. With Ninja V the only limitation to how much you can record is the size of the SSD. Alongside SSDmini we also qualify a range of 2.5-inch SSDs that can be used in conjunction with the MasterCaddy III which are required when using the ATOMOS CONNECT. There is an optional SSDmini adaptor that allows CFAST II cards to be used, enabling you to recycle older media cards or align with your camera media. Measuring 8cm long, 7.5cm wide and weighing as little as 88g, the custom-built drive neatly fits into the Ninja V without impacting the overall footprint of the device. The AtomX SSDmini drives are able to record up to 150 minutes of 4K ProRes. They support up to 4TB storage, sequential read speeds of up to 550MB/s and write speeds up to 500MB/s. AtomX SSDmini drives are more compact than standard SATA SSDs and offer an affordable alternative to an SD card of similar capacity or performance. Ninja V supports removable SSD drives which provide the space and sustained performance to meet these needs. The ability to record up to 6K using advanced edit-ready formats including ProRes RAW, ProRes, and DNxHD/HR requires fast, robust, and expansive storage. Optional via ATOMOS CONNECT or AtomX SDI modules Ninja V is designed to maximize the quality of your videos and allow you to extend every aspect of your creative vision. Additionally, if you’re shooting Log footage, the ability to bypass internal compression will offer the best possible dynamic range. Ninja V can record more color information and immediately add value to your production with your existing camera rig. If the camera is able to output video via HDMI, the quality can often be preserved in a 4:2:2 8-bit or 10-bit format. To save space and support longer recordings, many cameras record compressed 4:2:0 8-bit video internally.
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